- 商品介紹
- 專輯曲目
- 商品注意事項
伯恩斯坦/康果爾德/羅薩 小提協奏曲集 貝芭．絲凱德 小提琴 Baiba Skride / American Concertos
Gothenburg Symphony Orchestra 哥德堡交響樂團 Skride, Baiba (violin) 貝芭．絲凱德 (小提琴) Tampere Philharmonic Orchestra 坦貝雷愛樂管弦樂團 Rouvali, Santtu-Matias (conductor) 桑圖－馬替亞斯．羅伐利 (指揮)
“America, you are better off”
– wrote Goethe in 1827, weary of German Romanticism and the “fruitless wrangling” of sterile debates.
A century later, the New World experienced an unprecedented wave of migration consisting of leading figures, largely Jewish, from the cultural and intellectual spheres of German and Austrian life.
The composers among them were attracted by the rich rewards that seemed to be on offer from the new world of sound film in Hollywood, but few were able to reap those rewards to the full: among those few, who were able to make their way in a competitive marketplace through pragmatism and perseverance, were Erich Wolfgang Korngold and Miklós Rózsa – both regularly nominated for Oscars and frequently successful. While making a living from this genre of “music drama”, each of them –whether or not they were recognized by the classical music business – sought to push the limits of the traditional formats and were remarkably successful in doing so.
“If you’re Heifetz, I’m Mozart!” Taking a phone call, Rózsa could scarcely believe that the legendary virtuoso really was seriously interested in his Violin Concerto and was ready to give the work its premiere – but so he did in 1956, and the first recording of the work, with its extreme technical challenges, was also made by Heifetz. And it had been just the same with the Violin Concerto by Korngold, Rózsa’s senior by ten years: the 1947 premiere and the brilliant first recording of this twentieth-century classic again showcased Heifetz as soloist.
In the new generation of genuinely American musicians, one outstanding figure was Leonard Bernstein, an all-rounder whose early success led on to even greater heights: here too, one can hardly ignore his contribution to film music, even if it amounts to one single film. Bernstein rated his Violin Concerto of 1954, “Serenade”, inspired by Plato’s Symposium, as his best work ever, and this work too in its imaginatively slimmed-down scoring for string orchestra, harp and percussion is now acknowledged to be an important 20th-century concerto for violin. Isaac Stern performed the premiere of the work with the composer conducting. As an “encore”, this compilation includes the masterly Symphonic Dances from the immortal “West Side Story”, which has long risen above the “fruitless wrangling” over “light” and “serious” music.
The very different challenges posed by all three concertos are brilliantly overcome by Baiba Skride, whose unquestionable virtuosity nevertheless takes second place to the immediacy of her musical language and expression.
Translation: Janet and Michael Berridge, Berlin
DISK 1 CD
1. LEONARD BERNSTEIN (1918–1990)
2. Serenade für Violine und Streichorchester, Harfe und
3. Schlagwerke nach Platos Symposium (1954)
4. 1 Phaedrus – Pausanias: Lento – Allegro marcato 6’46
5. 2 Aristophanes: Allegretto 4’46
6. 3 Eryximachus: Presto 1’36
7. 4 Agathon: Adagio- 7’38
8. 5 Socrates – Alcibiades: -11’05
9. Molto tenuto – Allegro molto vivace
10. ERICH WOLFGANG KORNGOLD (1897–1957)
11. Konzert für Violine und Orchester D-Dur op. 35 (1945)
12. 6 Moderato nobile -10’00
13. 7 Romance. Andante -9’14
14. 8 Finale: Allegro assai vivace -7’33
DISK 2 CD
1. MIKLÓS RÓZSA (1907–1995)
2. Konzert für Violine und Orchester op. 24 (1953)
3. 1 Allegro non troppo ma passionato -13’20
4. 2 Lento cantabile-9’41
5. 3 Allegro vivace – Meno mosso – Più mosso- 8’53
6. LEONARD BERNSTEIN
7. West Side Story: Symphonic Dances (1960)
8. 4 Prologue. Allegro moderato -4’38
9. 5 Somewhere. Adagio -4’46
10. 6 Scherzo. Vivace e leggiero -1’32
11. 7 Mambo. Meno Presto -2’35
12. 8 Cha-cha. Andantino con grazia -1’03
13. 9 Meeting Scene. Meno mosso -0’56
14. 10 Cool, Fugue. Allegretto -3’53
15. 11 Rumble. Molto allegro -2’03
16. 12 Finale. Adagio -3’46
歡迎光臨山海山唱片行。本店所販售之影音商品皆為有版權之合法正版商品，恕不提供拆封試聽、亦不接受因個人因素（如買錯、不喜歡等）之退換貨。下單前請務必詳閱以下注意事項：
一、 驗收與退換貨規範
-
請全程錄影： 為保障雙方權益，收到包裹「拆封過程」請務必全程錄影。
-
檢查期限： 請於收到商品後一週內完成詳細檢查，逾期恕不受理。
-
瑕疵定義： 本店僅受理「影響正常播放之嚴重瑕疵（如跳針、斷訊）」之退換貨。退換時請務必保持商品、配件及原包裝（含內外線圈、側標等）之完整性。
-
外觀免責說明： CD、黑膠唱片在國際運送及包裝過程中，外殼碰撞或封面邊角微有摺痕屬正常現象。若您對品項外觀有極高要求，請勿於網購下單，強烈建議直接至實體門市親自挑選。我們恕不接受因外觀不滿意等非播放功能問題之退換貨。
-
出清商品特例： 〈出清特價商品〉因發行年代久遠，外觀包裝（如膠膜撕裂、外盒泛黃、壓痕）皆不完美，除光碟本身瑕疵導致無法播放外，一律不接受退換貨。
二、 配送與包裹異常
-
外箱受損回報： 收到包裹時若發現「外紙箱」有嚴重損毀情形，請於24小時內（上班時間）向客服拍照/錄影回報，逾時系統將無法受理物流理賠。
-
彩膠外觀： 彩膠（Color Vinyl）產品示意圖僅供參考，實際成色與花紋請以實體商品為主。
三、 訂單與預購變更
-
訂單變更： 訂單成立後如有變更需求，請於24小時內告知，逾期商品若已進入調貨流程則不受理。
-
到貨時間： 尚未發行之預購商品，「國外發行日」不等於「台灣到貨日」。商品預計於國外發行後約 2 週左右到貨，實際進度需視國際物流而定。
-
預購取消限制： 預購商品若遭遇國外發行商因故延後發行，本店將同步順延出貨，恕不接受以此理由取消訂單及要求退款。
