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Sergei Prokofiev and Franz Schubert – a highly intelligent combination, highlighting the position
of the two composers between tradition and innovation. Prokofiev's sonata oeuvre is significantly
more present in Russia and the states of the former Soviet Union than in Central Europe
where, at best, his Seventh Sonata is only occasionally programmed. Yet with his nine completed
sonatas, spanning his career from his youth up to the period shortly before his death in 1953,
Prokofiev created a musical cosmos similar in range to Shostakovich's string quartets. Hailing from the Georgian
capital Tbilisi, Elisso Bolkvadze has chosen the Second Sonata (1912), where Prokofiev adopts an incredibly
delicate tone which, at the same time, appears aggressive in its motoric energy, reflecting the modernist spirit
of the Russian capital of St Petersburg before the First World War.
Elisso Bolkvadze has complemented this with Schubert's four Impromptus D. 899, a popular cycle whose innovation
is often underestimated. For, alongside his great piano sonatas, Schubert always put new forms to the test
with compact, and sometimes also programmatic, messages. This also holds true for the Impromptus, where
pure colour is combined with lyrical, dramatic and gestural aspects.
Georgian pianist Elisso Bolkvadze was selected as a UNESCO Artist for Peace in January 2015. She has won
numerous international piano competitions, including the Van Cliburn, Vianna da Motta and Dublin International
Piano Competitions. She is regularly invited to perform as a soloist alongside international orchestras,
and also gives recitals in major concert halls across Europe and the United States. A superstar in her home
country, she was awarded the prestigious national “Medal of Honour of the Georgian Government” in 1993. In
2013, Elisso Bolkvadze founded her own charitable foundation, “Lyra”, which supports talented young Georgian
pianists. She is the Artistic Director of the Batumi Music Festival in Georgia.
SERGEJ PROKOFIEV (1891-1953)
PIANO SONATA NO. 2
IN D MINOR, OP. 14 18:27
1. I. Allegro, ma non troppo 6:35
2. II. Scherzo. Allegro marcato 1:57
3. III. Andante 6:05
4. IV. Vivace 4:50
FRANZ SCHUBERT (1797-1828)
IMPROMPTUS, OP. 90 (D 899) 28:57
5. No. 1 in C minor:
Allegro molto moderato 10:50
6. No. 2 in E flat major: Allegro 4:24
7. No. 3 in G flat major: Andante 6:36
8. No. 4 in A flat major: Allegretto 7:07
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