- 商品介紹
- 專輯曲目
- 商品注意事項
約翰‧威廉斯被譽為好萊塢最具代表性的電影配樂大師，但他同時也是一位具有深遠影響力的指揮家。這套《約翰‧威廉斯與波士頓大眾管弦樂團飛利浦全錄音》，完整收錄他自1979年接掌波士頓大眾管弦樂團後所錄製的所有專輯，呈現他作為樂壇領航者的多重面貌。
這套錄音集跨越二十餘張專輯，曲目從輕鬆古典、百老匯、好萊塢經典到聖誕樂曲、世界巡禮，風格多元，兼具娛樂性與藝術性。約翰‧威廉斯以嚴謹態度重新編排經典旋律，讓電影音樂與流行曲目首次以高水準的交響形式進入主流音樂廳，並大幅提升了此類曲目的藝術地位。
其中收錄的《Pops in Space》、《Pops Around the World》、《Out of this World》等專輯，讓星際冒險與跨界元素在交響舞台上綻放全新光彩；而與女高音潔西‧諾曼合作的錄音，則展現約翰‧威廉斯返璞歸真的鋼琴家一面，將百老匯與美國歌曲詮釋得細膩動人。此外，套裝中還包含多首首次CD化或數位復刻的曲目，對收藏者而言極具珍貴價值。
這些錄音不只是樂團黃金年代的紀錄，更是約翰‧威廉斯推動「流行古典」與正統交響樂融合的重要見證。他的努力不僅拓展了樂團曲目，也培養了新世代聽眾對交響樂的熱情。對樂迷而言，這套全集不僅是音樂史上的里程碑，更是認識約翰‧威廉斯作為指揮家與藝術推手的最佳切入點。
這套錄音集跨越二十餘張專輯，曲目從輕鬆古典、百老匯、好萊塢經典到聖誕樂曲、世界巡禮，風格多元，兼具娛樂性與藝術性。約翰‧威廉斯以嚴謹態度重新編排經典旋律，讓電影音樂與流行曲目首次以高水準的交響形式進入主流音樂廳，並大幅提升了此類曲目的藝術地位。
其中收錄的《Pops in Space》、《Pops Around the World》、《Out of this World》等專輯，讓星際冒險與跨界元素在交響舞台上綻放全新光彩；而與女高音潔西‧諾曼合作的錄音，則展現約翰‧威廉斯返璞歸真的鋼琴家一面，將百老匯與美國歌曲詮釋得細膩動人。此外，套裝中還包含多首首次CD化或數位復刻的曲目，對收藏者而言極具珍貴價值。
這些錄音不只是樂團黃金年代的紀錄，更是約翰‧威廉斯推動「流行古典」與正統交響樂融合的重要見證。他的努力不僅拓展了樂團曲目，也培養了新世代聽眾對交響樂的熱情。對樂迷而言，這套全集不僅是音樂史上的里程碑，更是認識約翰‧威廉斯作為指揮家與藝術推手的最佳切入點。
CD 1 POPS ON THE MARCH
Williams pays homage to one of the most enduring and beloved repertoires of the Boston Pops: the marches. Williams expanded the repertoire with music from Europe (Walton’s Orb and Sceptre and Elgar’s Pomp and Circumstance no. 4, Tchaikovsky’s Coronation March, and Joseph Franz Wagner’s Under the Double Eagle), and from Hollywood (Alfred Newman’s Conquest from the 1947 film Captain from Castile and his own The Midway March, from the 1977 film The Battle of Midway).
CD 2 POPS IN SPACE
The first Williams/Pops album released by Philip Classics, presents suites from his space-themed film scores: Superman, Star Wars, The Empire Strikes Back, and Close Encounters of the Third Kind, showcasing the stand-alone concert quality of film music.
CD 3 That’s Entertainment
CD 4 WE WISH YOU A MERRY CHRISTMAS
Williams’ first Christmas album with the Boston Pops and the Tanglewood Festival Chorus features arrangements and compositions by – among others – Leroy Anderson and Charles Ives, along with a new medley commissioned by Williams of the carols of Alfred Burt, one of those lesser-known composers whom he rediscovered.
CD 5 POPS AROUND THE WORLD
A selection of international overtures, from Rossini’s L’italiana in Algeri, to Glinka’s Russlan and Ludmilla, to Auber’s The Bronze Horse, von Suppé’s Boccaccio, Bernstein’s Candide and Williams’ own The Cowboys.
CD 6 AISLE SEAT – GREAT FILM MUSIC
Includes: Williams’ E.T., the Extraterrestrial, Raiders of the Lost Ark, the song “If We Were in Love” written for the Luciano Pavarotti vehicle Yes, Giorgio, and the symphonic version of Vangelis’ Chariots of Fire, as well as such classics as Max Steiner’s Gone with the Wind, and Dimitri Tiomkin’s Friendly Persuasion.
CD 7 OUT OF THIS WORLD
Film music for the sci-fi genre, including Jerry Goldsmith’s own concert versions of Alien and Star Trek: The Motion Picture, as well as selections from 2001: A Space Odyssey and Return of the Jedi, plus the TV shows Battlestar Galactica, The Twilight Zone, and Star Trek.
CD 8 PROKOFIEV: PETER & THE WOLF; TCHAIKOVSKY: THE NUTCRACKER (EXCERPTS)
Williams and the Pops return to the ‘classical’ repertoire, with Prokofiev’s musical tale Peter And The Wolf with Dudley Moore narrating, and Tchaikovsky’s Nutcracker Suite.
CD 9 WITH A SONG IN MY HEART
Jessye Norman joins Williams and the Boston Pops to apply her talent to the Great American Songbook; with works by Cole Porter, Richard Rodgers, Jerome Kern, Harold Arlen, and George Gershwin.
CD 10 SWING, SWING, SWING
Journey back to the big bands era, with orchestral presentations of In the Mood, Tuxedo Junction, Opus One, Begin the Beguine, Sing, Sing, Sing, plus Williams’s own tribute to the genre, “Swing, Swing, Swing”, from the film 1941.
CD 11 AMERICA, THE DREAM GOES ON
Named after a Williams composition, this album has patriotism at its core, with a line-up of such quasi national anthems as America, The Beautiful, This Land is My Land, Battle Hymn of the Republic, Fanfare for the Common Man, and American Salute.
CD 12 ON STAGE
Is dedicated to musicals, with excerpts from Annie Get Your Guns, Cats, and A Chorus Line, as well as two tribute medleys of Duke Ellington’s works and Fred Astaire’s films.
CD 13 BERNSTEIN BY BOSTON
A taster of the multifaceted output of ‘Lenny’ Bernstein, from his musicals and operettas (On the Town, Wonderful Town, West Side Story, Candide), to his theatre music (Mass), to his symphonic production (Divertimento for Orchestra).
CD 14 POPS IN LOVE
gathers popular pieces in a sentimental vein by Ravel, Satie, Fauré, Debussy, Albinoni, Tchaikovsky, Saint-Saëns, Pachelbel, and Vaughan-Williams.
CD 15 HOLST – THE PLANETS
CD 16 DIGITAL JUKEBOX
A pot-pourri that mixes easy-listening music from the pop-song and film repertoires: from The Girl from Ipanema, Those Were The Days, Tijuana Taxi, Mack the Knife, to the theme songs from The Pink Panther, Summer of 42, A Summer Place, Days of Wine and Roses, and Love is a Many Splendored Thing.
CD 17 LUCKY TO BE ME
John Williams accompanies Jessye Norman on the piano as they explore the song repertoire of Leonard Bernstein, Michel Legrand, Richard Rodgers, Kurt Weill, George Gershwin, Frederick Loewe, and Billy Joel.
CD 18 SALUTE TO HOLLYWOOD
Features arrangements from film songs (La Bamba, Somewhere Out There), medley tributes to award-winning songs and to Fred Astaire’s dance numbers, and selections from symphonic film scores (John Barry’s Out of Africa, David Raksin’s The Bad and the Beautiful, and Williams’ The Witches of Eastwick). Opening the album is the first recording of Williams’ arrangement of the 1937 song Hooray for Hollywood, which became one of the regular show-openers in Williams’ concerts.
CD 19 POPS À LA RUSSE
Russian repertoire, including Khatchaturian’s Sabre Dance and Mussorgsky/Rimsky-Korsakov’s A Night on the Bare Mountain, and less renowned pieces such as Reinhold Glière’s Russian Sailor’s Dance from The Red Poppy.
CD 20 POPS BY GERSHWIN
George Gershwin: An American in Paris ∙ Rhapsody in Blue ∙ Girl Crazy (selections) ∙ Porgy and Bess (selections)
CD 21 BY REQUEST
An all-Williams collection of both film music and symphonic miniatures.
POPS BRITANNIA
Danny Boy, Scotland the Brave, Grainger’s Molly on the Shore, Delius’ Brigg Fair, Peter Maxwell Davies’ A Orkney Wedding: With Sunrise (an original Boston Pops
Williams pays homage to one of the most enduring and beloved repertoires of the Boston Pops: the marches. Williams expanded the repertoire with music from Europe (Walton’s Orb and Sceptre and Elgar’s Pomp and Circumstance no. 4, Tchaikovsky’s Coronation March, and Joseph Franz Wagner’s Under the Double Eagle), and from Hollywood (Alfred Newman’s Conquest from the 1947 film Captain from Castile and his own The Midway March, from the 1977 film The Battle of Midway).
CD 2 POPS IN SPACE
The first Williams/Pops album released by Philip Classics, presents suites from his space-themed film scores: Superman, Star Wars, The Empire Strikes Back, and Close Encounters of the Third Kind, showcasing the stand-alone concert quality of film music.
CD 3 That’s Entertainment
CD 4 WE WISH YOU A MERRY CHRISTMAS
Williams’ first Christmas album with the Boston Pops and the Tanglewood Festival Chorus features arrangements and compositions by – among others – Leroy Anderson and Charles Ives, along with a new medley commissioned by Williams of the carols of Alfred Burt, one of those lesser-known composers whom he rediscovered.
CD 5 POPS AROUND THE WORLD
A selection of international overtures, from Rossini’s L’italiana in Algeri, to Glinka’s Russlan and Ludmilla, to Auber’s The Bronze Horse, von Suppé’s Boccaccio, Bernstein’s Candide and Williams’ own The Cowboys.
CD 6 AISLE SEAT – GREAT FILM MUSIC
Includes: Williams’ E.T., the Extraterrestrial, Raiders of the Lost Ark, the song “If We Were in Love” written for the Luciano Pavarotti vehicle Yes, Giorgio, and the symphonic version of Vangelis’ Chariots of Fire, as well as such classics as Max Steiner’s Gone with the Wind, and Dimitri Tiomkin’s Friendly Persuasion.
CD 7 OUT OF THIS WORLD
Film music for the sci-fi genre, including Jerry Goldsmith’s own concert versions of Alien and Star Trek: The Motion Picture, as well as selections from 2001: A Space Odyssey and Return of the Jedi, plus the TV shows Battlestar Galactica, The Twilight Zone, and Star Trek.
CD 8 PROKOFIEV: PETER & THE WOLF; TCHAIKOVSKY: THE NUTCRACKER (EXCERPTS)
Williams and the Pops return to the ‘classical’ repertoire, with Prokofiev’s musical tale Peter And The Wolf with Dudley Moore narrating, and Tchaikovsky’s Nutcracker Suite.
CD 9 WITH A SONG IN MY HEART
Jessye Norman joins Williams and the Boston Pops to apply her talent to the Great American Songbook; with works by Cole Porter, Richard Rodgers, Jerome Kern, Harold Arlen, and George Gershwin.
CD 10 SWING, SWING, SWING
Journey back to the big bands era, with orchestral presentations of In the Mood, Tuxedo Junction, Opus One, Begin the Beguine, Sing, Sing, Sing, plus Williams’s own tribute to the genre, “Swing, Swing, Swing”, from the film 1941.
CD 11 AMERICA, THE DREAM GOES ON
Named after a Williams composition, this album has patriotism at its core, with a line-up of such quasi national anthems as America, The Beautiful, This Land is My Land, Battle Hymn of the Republic, Fanfare for the Common Man, and American Salute.
CD 12 ON STAGE
Is dedicated to musicals, with excerpts from Annie Get Your Guns, Cats, and A Chorus Line, as well as two tribute medleys of Duke Ellington’s works and Fred Astaire’s films.
CD 13 BERNSTEIN BY BOSTON
A taster of the multifaceted output of ‘Lenny’ Bernstein, from his musicals and operettas (On the Town, Wonderful Town, West Side Story, Candide), to his theatre music (Mass), to his symphonic production (Divertimento for Orchestra).
CD 14 POPS IN LOVE
gathers popular pieces in a sentimental vein by Ravel, Satie, Fauré, Debussy, Albinoni, Tchaikovsky, Saint-Saëns, Pachelbel, and Vaughan-Williams.
CD 15 HOLST – THE PLANETS
CD 16 DIGITAL JUKEBOX
A pot-pourri that mixes easy-listening music from the pop-song and film repertoires: from The Girl from Ipanema, Those Were The Days, Tijuana Taxi, Mack the Knife, to the theme songs from The Pink Panther, Summer of 42, A Summer Place, Days of Wine and Roses, and Love is a Many Splendored Thing.
CD 17 LUCKY TO BE ME
John Williams accompanies Jessye Norman on the piano as they explore the song repertoire of Leonard Bernstein, Michel Legrand, Richard Rodgers, Kurt Weill, George Gershwin, Frederick Loewe, and Billy Joel.
CD 18 SALUTE TO HOLLYWOOD
Features arrangements from film songs (La Bamba, Somewhere Out There), medley tributes to award-winning songs and to Fred Astaire’s dance numbers, and selections from symphonic film scores (John Barry’s Out of Africa, David Raksin’s The Bad and the Beautiful, and Williams’ The Witches of Eastwick). Opening the album is the first recording of Williams’ arrangement of the 1937 song Hooray for Hollywood, which became one of the regular show-openers in Williams’ concerts.
CD 19 POPS À LA RUSSE
Russian repertoire, including Khatchaturian’s Sabre Dance and Mussorgsky/Rimsky-Korsakov’s A Night on the Bare Mountain, and less renowned pieces such as Reinhold Glière’s Russian Sailor’s Dance from The Red Poppy.
CD 20 POPS BY GERSHWIN
George Gershwin: An American in Paris ∙ Rhapsody in Blue ∙ Girl Crazy (selections) ∙ Porgy and Bess (selections)
CD 21 BY REQUEST
An all-Williams collection of both film music and symphonic miniatures.
POPS BRITANNIA
Danny Boy, Scotland the Brave, Grainger’s Molly on the Shore, Delius’ Brigg Fair, Peter Maxwell Davies’ A Orkney Wedding: With Sunrise (an original Boston Pops
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