山海山音樂廣場

This Sonata trilogy that Beethoven, written in his young maturity, has become the reference in this so particular form of
dialogue called "classical sonata", each of the three having its own technical step given the leadership from keyboard to the
string instrument. The No.5, often called Spring Sonata, has for model simultaneously Haydn and Mozart. The No.6 is yet 'for
the pianoforte with the accompaniment of a violin', gracious work with a fascinating central adagio molto espressivo in D
...with Richter. The No.9, Kreutzer-Sonata, is arguably the first release for violin, with help of a keyboard, the violin's
unaccompanied entry at the beginning of the andante con variazoni is opening a new era... with Oistrakh.

Ludwig van Beethoven
1 Sonata for violin no.5 Op.24 - Allegro 9'28
2 Sonata for violin no.5 Op.24 - Adagio molto espressivo 5'44
3 Sonata for violin no.5 Op.24 - Scherzo 1'08
4 Sonata for violin no.5 Op.24 - Rondo, Allegro ma non troppo 6'42
5 Sonata for violin no.6 Op.30 no.1 - Allegro 8'16
6 Sonata for violin no.6 Op.30 no.1 - Adagio molto espressivo 7'27
7 Sonata for violin no.6 Op.30 no.1 - Allegro con Variazioni 8'21
8 Sonata for violin no.9 Op.47 - Adagio sostenuto 10'52
9 Sonata for violin no.9 Op.47 - Andante con variazioni 13'44
10 Sonata for violin no.9 Op.47 - Finale 6'32